I was given this book via NetGalley in exchange for an honest review. I know that I give a big spoiler in the first paragraph but it would be very difficult to talk about without giving it away! You do find out in the first couple of chapters!! -R
The Night Brother follows Edie and Gnome, siblings who in many ways couldn’t be more different. Edie is introverted, intelligent and resolutely hated by her mother. Gnome is outgoing, adventurous and uncouth – not to mention hero-worshipped and spoilt rotten by the mother he deems stupid. They are linked, quite literally, by one slightly inconvenient fact; they live in the same body. Edie is in control during the day, and Gnome at night. The start of the novel shows Edie unaware of what is happening – she believes Gnome to be a friend, a Peter Pan like figure who takes her on adventures while her mother and grandmother are sleeping. Her grandmother eventually reveals the truth in an attempt to help her find her peace with the situation.
I’ve spoken before about how difficult it can be to get historical fiction right, and this is possibly magnified in making LGBT+ characters and themes take centre stage. I was so glad to read LGBT+ characters that are realistic and proud (if that pride is strictly confined to their own friendship groups and secret gay bars), and the theme of gender fluidity is certainly explored in different ways here.
The premise of “one body, two souls” could have gone many ways, particularly considering how this is dealt with in The Strange Case of Dr Jekyll and Mr Hyde, which is obviously an actual Fin de Siecle period novel with a similar theme. The plot borders on ridiculous at times due to the nature of this, but I felt that for the most part it brought it back quite well. I would have liked a better explanation of the “family curse” and more of a back story for the whole thing though.
I was quite sceptical of this book. Garland’s descriptions are beautiful, and the first chapter certainly draws you in, but I did begin to get disillusioned with the whole thing at times. I felt some attempts at adding ‘darkness’ were a little lost on me – the mother comes off quite pantomime-y, and a certain scene with a certain doctor just seemed far too fast and confusing – though on doing further research I did find out that his practices weren’t unheard of, which was somewhat of a shock to me (though it really shouldn’t have been).
The characters were very strong, though, and this compared with the descriptive language kept me hooked. There are some striking scenes that I really connected with, though I wasn’t convinced by it all – particularly the ending, I must admit. In all though it was an enjoyable book with some wonderful LGBT+ characters, who are well worth meeting.
See you soon,
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